Haus Der Luege — Einsturzende Neubauten — Guitarama | аккорды, табулатуры, тексты песен, ноты

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 #This file is the author's own work and represents their interpretation of the # 
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 #----------------------------------PLEASE NOTE---------------------------------# 
 #This file is the author's own work and represents their interpretation of the # 
 #song. You may only use this file for private study, scholarship, or research. # 
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 Date: Thu, 28 Nov 1996 22:42:12 +0800 (WST) 
 From: Greg O'Beirne  
  
   
 Subject: TAB: "Haus Der Luege" by Einstuerzende Neubauten 
  
 ------------------------------------------ 
  "Haus der L?ge" by Einst?rzende Neubauten 
 ------------------------------------------ 
 partially transcribed by Greg O'Beirne (gobeirne@tartarus.uwa.edu.au) 
  
 Note:  This isn't exactly what they play during the song, but if you 
        haven't got strings or tape loops, this will be ok as an 
        imitation of various elements of the song. 
  
 Throughout the song: 
  
      1       +       2       +       3       +       4       + 
  E -----------------------------------------------------------------| 
  B -----------------------------------------------------------------| 
  G ------------------7-------------------------------7--------------| 
  D -----------------------------------------------------------------| 
  A --5-----------------------5---5-------5---5----------------------| 
  E -----------------------------------------------------------------| 
  
  
 In the second half of the song, repeat these four bars: 
  
      1       +       2       +       3       +       4       + 
  E -----------------------------------------------------------------| 
  B -----------------------------------------------------------------| 
  G --7-------7---7---7-------7---7-------7---7-------7---7---7---7--| 
  D ------------------------------7-------7---7-------7---7---7---7--| 
  A --5-------5---5---5-------5---5-------5---5-------5---5---5---5--| 
  E -----------------------------------------------------------------| 
  
      1       +       2       +       3       +       4       + 
  E -----------------------------------------------------------------| 
  B -----------------------------------------------------------------| 
  G --7-------7---7---7-------7---7-------7---7-------7---7---7---7--| 
  D --8-------8---8---8-------8---8-------8---8-------8---8---8---8--| 
  A --5-------5---5---5-------5---5-------5---5-------5---5---5---5--| 
  E -----------------------------------------------------------------| 
  
      1       +       2       +       3       +       4       + 
  E -----------------------------------------------------------------| 
  B -----------------------------------------------------------------| 
  G --7-------7---7---7-------7---7-------7---7-------7---7---7---7--| 
  D --9-------9---9---9-------9---9-------9---9-------9---9---9---9--| 
  A --5-------5---5---5-------5---5-------5---5-------5---5---5---5--| 
  E -----------------------------------------------------------------| 
  
      1       +       2       +       3       +       4       + 
  E -----------------------------------------------------------------| 
  B -----------------------------------------------------------------| 
  G --7-------7---7---7-------7---7-------7---7-------7---7---7---7--| 
  D --10------10--10--10------10--10------10--10------10--10--10--10-| 
  A --5-------5---5---5-------5---5-------5---5-------5---5---5---5--| 
  E -----------------------------------------------------------------| 
  
  
 Lyrics: 
  
 HAUS DER LUEGE                       HOUSE OF LIES 
 --------------                       ------------- 
  
 ERSTES GESCHOSS:                     FIRST FLOOR: 
 HIR LEBEN DIE BLINDEN                HERE LIVE THE BLIND 
 DIE GLAUBEN WAS SIE SEHEN            WHO BELIEVE WHAT THEY SEE 
 UND DIE TAUBEN                       AND THE DEAF 
 DIE GLAUBEN WAS SIE HOEREN           WHO BELEIVE WHAT THEY HEAR 
 FESTGEBUNDEN AUF EINEM KUECHENHOCKER BOUND AND GAGGED TO KITCHEN-STOOL 
 SITZT EIN IRRER, DER GLAUBT          SITS A FOOL, WHO BELEIVES 
 ALLES WAS ER ANFASSEN KANN           IN ALL HE CAN FEEL 
 (SEINE HAENDE LIEGEN IM SCHOSS)      (HIS HANDS IN HIS LAP) 
  
 ZWEITES GESCHOSS:                    SECOND FLOOR: 
 ROLLE FUER ROLLE                     ROLL AFTER ROLL 
 BAHN FUER BAHN                       LENGTH AFTER LENGTH 
 RAUHFASER TAPEZIERT                  IN WOODCHIP WALLPAPER 
 EINZELNE MIETER STEHEN HERUM         LONE TENANTS STAND AROUND 
 BETRACHTEN DIE WAENDE AUFMERKSAM     OBSERVING THE WALLS WITH FROWNS 
 SUCHEN DRUCK- UND                    LOOKING FOR PRINTING AND SPELLING 
   RECHTSCHREIBFEHLER                  MISTAKES 
 KOENNTEN NICHT MAL IHREN NAMEN       THEY COULDN'T EVEN DECIPHER THEIR 
                      ENTZIFFERN       OWN NAMES 
  
 AUF INS NAECHSTE GESCHOSS:           UP TO THE NEXT FLOOR 
 WELCHES, OH WUNDER!, NIE             WHICH, OH WONDER! NEVER COMPLETED 
                 FERTIGGESTELLT 
 NUR UEBER DIE TREPPE ERREICHT        CAN ONLY BE REACHED BY THE STAIRS 
                    WERDEN KANN 
   -                                    - 
  -                                    - 
 -                                    - 
  
 HIER LAGERN IRRTUEMER, DIE           HERE ARE THE STORED ERRORS 
              GEHOEREN DER FIRMA      WHICH BELONG TO THE FIRM 
 DAMIT KACHELN SIE DIE BOEDEN         AND WITH WHICH THEY TILE THE FLOORS 
 AN DIE DARF KEINER RAN               UPON THESE NONE MAY TREAD 
  
 VIERTES GESCHOSS:                    FOURTH FLOOR: 
 HIER WOHNT DER ARCHITEKT             HERE LIVES THE ARCHITECT 
 ER GEHT AUF IN SEINEM PLAN           IMMERSED IN HIS PLAN OF 
 DIESES GEBAEUDE STECKT VOLLER IDEEN  THIS BUILDING CRAMMED WITH IDEAS 
 ES REICHT VON FUNDA- BIS FIRMAMENT   IT STRETCHES FROM FUNDA- TO FIRMAMENT 
 UND VOM FUNDAMENT BIS ZUR FIRMA      AND FROM ITS FOUNDATIONS TO THE FIRM 
  
 IH ERDGESCHOSS:                      IN THE GROUND FLOOR: 
 BEFINDEN SICH VIER TUEREN            THERE ARE FOUR DOORS 
 DIE FUEHREN                          THEY LEAD 
 DIREKT INS FREIE                     DIRECTLY OUT-OF-DOORS 
 ODER BESSER GESAGT: IN DEN           OR MORE PRECISELY: TO THE 
                   GRUNSTEIN           CORNER-STONE 
 DA KANN WARTEN WER WILL              HE WHO WANTS TO CAN WAIT THERE 
 UM ZWOELF KOMMT BETON                THE CONCRETE'S COMING AT TWELVE 
 GRUNDSTEINLEGO!                      CORNER-STONE LEGO! 
 GRUNDSTEINLEGO!                      CORNER-STONE LEGO! 
 LUEGE! LUEGE! LUEGE!                 LIES! LIES! LIES! 
 GEDANKENAENGE, SIND GESTRICHEN       THOUGHT PASSAGES ARE PAINTED OVER 
 IN HOPFHOEHE BRAUN                   IN HEAD-HEIGHT BROWN 
 INFAM ODER KATHOLISCH VIOLETT        INFAMOUS OR CATHOLIC PURPLE 
 ZUR BESSEREN ORIENTIERUNG            FOR BETTER ORIENTATION 
  
 DACHGESCHOSS:                        TOP FLOOR: 
 ES HAT EINEN SCHADEN                 HAS SOME DAMAGE 
 IM DACHSTUHL SITZT EIN ALTER MANN    IN THE RAFTERS AND OLD MAN SITS 
 AUF DEM BODEN TOTE ENGEL VERSTREUT   DEAD ANGELS ARE STREWN ACROSS THE FLOOR 
 (DEREN GESICHTER SEHEN IHM AENGLICH) (THEIR FACES RESEMBLE HIS) 
 ZWISCHEN DEN KNIEN HAELT ER EIN      BETWEEN HIS KNEES HE HOLDS A GUN 
                           GEWEHR 
 ER ZIELT AUF SIENEN MUND             HE AIMS IT AT HIS MOUTH 
 UND IN DEN SCHAEDEL                  AND INTO THE SKULL 
 DURCH DEN SCHAEDEL                   AND OUT OF THE SKULL'S OTHER SIDE 
 UND AUS DEM SCHAEDEL HERAUS          INTO THE ROOF'S APEX 
 IN DEN DACHFIRST                     DRILLS THAT BULLET 
 DRINGT DAS GESCHOSS 
  
 GOTT HAT SICH ERSCHOSSEN             GOD HAS SHOT HIMSELF 
 EIN DACHGESCHOSS WIR AUSGEBAUT       NOW A TOP FLOOR CAN BE RENOVATED 
 GOTT HAT SICH ERSCHOSSEN             GOT HAS SHOT HIMSELF 
 EIN DACHGESCHOSS WIR AUSGEBAUT       NOW A TOP FLOOR CAN BE RENOVATED 
 LUEGE, LUEGE                         LIES, LIES 
 EIN DACHGESCHOSS WIR AUSGEBAUT       A TOP FLOOR CAN BE RENOVATED 
  
  
 Any comments/corrections/suggestions welcome, 
 -- 
 Greg O'Beirne 
 gobeirne@tartarus.uwa.edu.au 
 http://www.uwa.edu.au/student/gobeirne/ 
 http://www.uwa.edu.au/student/gobeirne/Transcriptions.html